Theophilus Brown

Posted in Theophilus Brown on Sunday, November 8, 2009 by mattgonzalez

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A Triptych by Theophilus Brown

Posted in Theophilus Brown on Saturday, November 7, 2009 by mattgonzalez

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Lola — Matt Gonzalez

Posted in Matt Gonzalez, News & Info with tags , on Friday, November 6, 2009 by mattgonzalez

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111 Minna Gallery — Matt Gonzalez

Posted in Matt Gonzalez, News & Info with tags on Wednesday, November 4, 2009 by mattgonzalez

Opening reception tomorrow, Thurs, Nov 5 for this group show that includes 5 collages by Matt Gonzalez (including the collage below entitled “Blue M0ustache”)

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2 by Glenna Putt

Posted in Glenna Putt on Wednesday, November 4, 2009 by mattgonzalez

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2 selections of recent work – Javier

Posted in Javier Arbona with tags , on Monday, November 2, 2009 by javier

I made a set of three collages, approx. 5” x 6” (these two I like the most), composed by remixing a single catalog that came with the Sunday paper. For more info… | flickr set

5 by Theophilus Brown

Posted in Theophilus Brown on Sunday, November 1, 2009 by mattgonzalez

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(Book Launch) The Modern Moves West: California Artists and Democratic Culture in the Twentieth Century

Posted in News & Info with tags , , on Wednesday, October 28, 2009 by javier

Thursday, November 5, 2009, 5:30 – 7:00

University Press Books, 2430 Bancroft Way, Berkeley, CA 94704
ph: (510) 548-0585 | Map

Tracing the development of abstract painting, assemblage art, and efforts to build new arts institutions, Cándida Smith lays bare the tensions between the democratic and professional sides of modern and contemporary art as California developed a distinct regional cultural life. Men and women from groups long alienated—if not forcibly excluded—from the worlds of “high culture” made their way in, staking out their participation with images and objects that responded to particular circumstances as well as dilemmas of contemporary life, in the process changing the public for whom art was made. Beginning with the emergence of modern art in nineteenth-century France and its influence on young Westerners and continuing through to today’s burgeoning border art movement along the U.S.-Mexican frontier, The Modern Moves West dramatically illustrates the paths that California artists took toward a more diverse and inclusive culture.

Richard Cándida Smith is Professor of History at the University of California, Berkeley, and author or editor of several books, including Utopia and Dissent: Art, Poetry, and Politics in California.

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Theophilus Brown

Posted in Theophilus Brown on Tuesday, October 27, 2009 by mattgonzalez

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Two by Matt Gonzalez

Posted in Matt Gonzalez on Monday, October 19, 2009 by mattgonzalez

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